![]() That would (in my mind) leave all the other data in a middle layer which i could clone, heal, reduce opacity to get the effect I wanted. I wanted to create a low frequency layer which was very smooth without blemishes and a high frequency layer with perfect pores (I dont mind healing a few zits etc but i wanted that layer to be pretty much good to go). I love the fact that the combined layers result in the original image but was struggling with the fact that the stuff I wanted to get rid of (spots, pimples, skin grunge) was on both layers. Recently I discovered the High Pass Sucks thread and have tried to understand frequency separation. This has served me quite well for a few months. I then discovered applying a High Pass layer with linear light over a blurred layer, masked and with opacity reduced. I then tried reintroducing noise to give a bit of texture but that still looked awful. I spent several months trying to smooth skin using blur and reducing opacity but hated the plastic look I got. I am not sure I am a position to educate anyone but I will try to explain what was going through my head. I should add that I know D&B is superior but, as a working portrait photographer I cannot spend hours on an image so I need something quicker but effective. Has anyone tried this? Is it the same as the quick degrunge or not? Is it worth the effort? I can also reduce the opacity of the middle layer if required. I can then tidy up the middle frequency layer using clone tool, healing brush and D&B. So that got me wondering if I should modify the Model mayhem technique to create a low, middle and high frequency layer which when combined is an accurate representation of the original. In contrast 2 does not get rid of the grunge. uses high pass which is not exactly the mathematical equivalent of so I am losing data. Using the Model Mayhem technique of creating a low frequency layer using Gaussian blur and using "apply image" to subtract this from the original to create a high frequency layer. Using surface blur to create a low frequency layer and using high pass to create a high frequncy layer and blending the two with linear lightĢ. But she provides all the information you need here, you just may need to watch the videos a few times (and you'll pick up new stuff on each watching).I have been playing around with frequency separation using a couple of methods ġ. It assumes some base knowledge which is covered elsewhere. I found the course to be paced perfectly. What she's providing is way more valuable, it's the way of thinking about attacking a problem. She says she does not provide a cookie cutter formula for solving a problem, the reason is the problems we'll be solving are different. I personally find this very empowering, it makes me inspired to think creatively about tough photoshop issues I'm grappling with in my own projects. Lisa Carney is fantastic about showing the way she thinks, how she goes about solving problems. ![]() After watching the first couple chapters I paused the video because I suddenly realized I could use this method to fix a problem I had in one of my composites (removing some kids' sidewalk chalk patterns from some pavement) ![]() Wow, what a great class, another one by Lisa Carney! This one kind of blew my mind in places, all the clever methods she shows. Lisa has worked with all major movie studios and many television networks including Disney, Buena Vista, Paramount, 20th Century Fox, Fox Searchlight, Sony, Universal, Newline, Columbia, MGM, ABC Television, ESPN, TNT, CNN, CBS, CW,Warner Brothers and Sony.Īdvertising credits include Burger King, Baskin-Robbins, Lowes, Jordana Cosmetics, Strategic Perceptions, Mattel, Chrysler, Mercedes, Mazda and Best Buy. Lisa Carney is a high end retoucher who has spent over two decades working with the most dynamic players in the print, motion picture, and television industries.īesides being a regular presenter at the Adobe MAX conference, her teaching roster runs the gamut from beginners to professional retouchers, and includes universities, design studios, movie studios, corporations, and private students. Intermediate to Advanced Adobe Photoshop UsersĪdobe Photoshop CC 2019 ABOUT YOUR INSTRUCTOR:.By separating the colors and details you can work on one element without affecting the other. For example, taking skin from one image to use on a blown out skin image. You can combine elements from different images to enhance a single image. You will learn how to use frequency separation technique in Adobe Photoshop® to adjust, and swap out elements to enhance images. Swap and combine elements within a photograph.Retouch images using Photoshop’s frequency separation technique.
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